Do you ever have days where EVERYTHING YOU TOUCH goes ker-sproinnnggggggggg! And explodes in your hands? All over you?????
Okay, about 90 percent of this is because of my own carelessness. No question, I make a lot of extra work for myself by overlooking a LOT of stupid little mistakes. But DAY-um! There’s just too much of this stuff…and some of it — at least today’s some of it — is not of my concocting.
So I start at 5:30 a.m., as usual, figuring to toss off a short job and then feed the dogs and myself before getting on with the REAL work of the day, which is to plow through at least 50 pages of Most Honored Client’s current iteration of his magnum opus.
First, though, the latest Camptown Races masterpiece is on the schedule: post to Amazon. This is a nuisancey little job that can take half an hour or more, and because it’s a pesty thing to do, I’d like to get it off my plate first, before moving on with my day.
TWO HOURS LATER…finally I clicked “Publish” on the damn thing.
Problem the first: When I upload the cover art, I see that the font color selected for the title and author name is too dim to pop out against the mostly black and dark aqua background.
This is really a very cool, extremely strange and dark Halloween story, and I WANT THOSE COVERLINES TO BE EFFING ORANGE DAMN IT!
None of the oranges in my program’s standard color palette are bright enough, weirdly, to stand out against the dark background. So now I decide to create a shade of orange or red-orange or something that will work.
Three tries later, it’s clear that nothing in the red to orange range is gonna cut the proverbial mustard.
Understand, ONE try can take 8 or ten minutes. Or more, depending on how bad Cox’s “high-speed” (har har!) connection happens to be at any given moment. It takes for-freaking-EVER for a TIFF file to load to Amazon. Not as EVER as an entire MS, but EVER ENOUGH.
Finally I decide to change the font color to yellow. But the standard yellow in my palette is not gonna make it. Too grating. So once again, I have to fiddle around and fiddle around and FIDDLE around to develop a shade of yellow that doesn’t make my teeth grind.
(And I’ve broken another crown, BTW, with the tooth-grinding. Good morning to you, too.)
This looks much better. Create TIFF. Upload. Watch Amazon grind away and grind away. View result. Realize the blue “glow” effect is absolutely positively not gonna make it.
Back into the guts of the program. Adjust glow to the newly invented bright orange; transparency (against a black background!) 50 percent. Change color of font line to black. Re-upload. APPROVE! Create new full-size JPEG, create new low-res JPEG, create new thumbnail.
How do you like it, by the way? Is this creepy or is this not creepy? That horse standing in the water is a kelpie, a type of Celtic demon. Be scared. Be VERY scared!

Upload edited, templated manuscript. Download the .mobi file into Amazon’s Kindle reader.
This process being one that takes forever, I finally get up and feed the dogs, who have gone back to bed.
Problem the next: Amazon detects a half-dozen “spelling errors.” These all appear to be Scottish dialect spellings in the Robert Burns verse I put in the front matter. Just as I click “ignore all,” I spot ONE real typo: Scottish is set lower-case somewhere in the MS.
Yes. Well. But that particular line is the book’s subtitle, which is set all caps, so no one would know whether you typed “Scottish” or “scottish.” However, knowing Amazon, I figure I’d better fix it. They can penalize you if they think you’ve got misspelled words in your MS: apparently part of the upload process is having one of their abused, terrorized wage slaves check the copy before it goes live.
Fix one character, reload. Go brush my teeth while this takes place.
Download the new .mobi file into Amazon’s Kindle reader. Go wash my face while this grinds and grinds and grinds away.
Back to proofing the .mobi file: In said front matter, half of the little definition of what a keltie is appears in italic! WTF? The name of the source, a website, is set italic, but the blurb itself is set roman. I can NOT figure out why a half-dozen words in the blurb appear as italic.
I screw around and SCREW around with this, racking up another couple of interminable uploads and downloads.
Finally I give up, scroll down the page, retype the copy, and retype the source, leaving it roman. Delete the corrupt passage. Pull up space pull up space pull up space.
Upload and download again. Pour another cup of coffee, open the back door and sic the dog on the new accursed cat that’s come over the wall, anti-cat barrier be damned. Takes almost as long to roust the puppy out of the sack as it does to re-download the .mobi file.
Return to proofing copy. The new passage I’ve typed spells “also” as “alos.” Alas.
Fix, upload, download.
And so on to infinity. Of course I find a few other errors. By the time this process is finished, it’s 7:30 in the morning! I haven’t had anything to eat. I haven’t walked the dogs. I haven’t come anywhere NEAR starting the project I’m supposed to be spending the entire day on.
A boxed set of the first six Fire-Rider stories is slated to go live on Wednesday. I haven’t updated the table of contents on a PC.
Yeah. Clever Amazon’s clever Word-to-MOBI converter cannot read the links in a TofC created on or even touched by a Mac computer. Don’t ask.
I send the MS to Tina. In the requisite 20 seconds, she returns it with the TofC updated on one of her terminals.
Now I need to enter new lines to break this thing up into the books it anthologizes. This, I hope and pray, will not fuck up in conversion (you may be sure the “hope” part is pretty forlorn). Ten minutes later I get down to the end of the thing and realize ONE CHAPTER in the last section lacks its numeral. Entering it in the TofC doesn’t work. AND the title of that book, which is supposedly formatted in a style undetectable to the ToC function, appears in the goddamn TofC as a chapter.
So I have to reformat the book title and fix the chapter title. And send it BACK to Tina to format on her PC. But not before deleting all the work I’ve interpolated into the TofC field, so as not to bollix it up on her end.
After all this screwing around, I see I haven’t assigned an ISBN to the damn thing. This requires ANOTHER ten or fifteen minutes of dorking-around time.
Right this very minute, I drop scribbling the present post (which I started as a device to vent and maybe allay some of the frustration factor) and head over to Bowker to get an ISBN.
Do you suppose I’ve written a stupid “description” for Bowker? Hell no. So now I have to write that, which you may be sure I don’t feel like doing to such an intense degree that I come up blank. I decide to wing it.
I upload the wrong cover image for the boxed set. Where’s the one Gary did? I search all over Digital Creation for the designer’s excellent rendition. Finally find it. Re-upload the cover image. Upload the PDF; watch the computer grind away and grind away. Jump through the remaining hoop after hoop after hoop after hoop. This consumes a good 15 minutes, maybe twenty.
BTW, you must get the first boxed set. It’s an incredible bargain: SIX FIRE-RIDER BOOKS FOR THE PRICE OF ONE!
Reviews of the serial installments are trending quite well. It is NOT p0rn0graphic and is, as a matter of fact and in my not-very-humble opinion, a truly terrific book. It will go live on Wednesday, probably around 6 p.m. Pacific time.
Just as Bowker finishes killing fifteen minutes of my time, the pool pump kicks on.
Yesterday, while my friend Carol and I were at a concert, a huge monsoonish storm came up. I don’t know how much water was dumped, but…whatEVER. Because I was across town, I wasn’t here to shut the pump off by way of preventing it from sucking up bushels of flying debris. When I got home along about 5 p.m., it was making a weird noise. The pump pot was gorged. I ran outside and shut the system down, figuring first thing in the morning I’d clean out the pump pot basket.
Yeah, well… First thing this morning, I was working. And the second thing. And the third thing. And the fourth…and so on to infuckingfinity!
I swear aloud, LEAP up, and FLY to the pool equipment. Shut down the gasping system and discombulate it. So much crap has been sucked up it has burst the plastic basket. That’ll be another 15 bucks I can’t afford.
Satan, the former owner of the Funny Farm, was an inveterate Happy Handyman. As you may know, the work of handyman hobbyists is usually suspect.
One of Satan’s projects was installation of a 12 x 5 metal storage shed on the east side of the house. Instead of pouring a concrete foundation, he laid down paving blocks, upon which he set his structure. The floor of this fine building is — wait for it! — oh yes! PLYWOOD!
Yeah.
The Sonoran Desert crawls with termites.
A family of these little munchers has found the shed and is eating its way across the floor. They’ve also invaded the shelves on the brick-and-board storage I built outside the shed — so those have to be taken apart and the boards tossed, somewhere far away from the house.
Saturday, I called my pet exterminator.
His wife called this morning to explain what they propose to do. No, they can’t use their (stinky!) organic (maybe not quite SO poisonous to humans and dogs?) product on termites. They have to use a standard termite product. For the same price, she said, they’d trench and apply prophylactic treatment to the entire house. They do not understand what this will entail, and I fail to enlighten her.
Price to treat the Funny Farm with a toxic product that is almost guaranteed to make me and the dogs sick? EIGHT HUNDRED DOLLAH!
I can’t very well not do it. Once they get into your house, if a home inspector spots damage you can NOT sell your house without expensively treating it, and by “expensive” we do not mean a mere $800.
This reduces me to tears. I have no idea how I am going to come up with $800, now that I’ve quit my teaching job so as to free up time to work on the publishing endeavor.
Another client sends work that she thinks I’m going to do forthwith. Alas, it will have to wait until I finish reading Magnificently Paying Client’s project, which has to be done by Friday. I don’t even open her email: it’s now another message marked “unread” and flagged with a little red flag.
I need to pay my writers. Simultaneously, I should create another spreadsheet for WonderAccountant to display checks and deposits for the S-corp, as we are having to do with my personal account thanks to the kind ministrations of Intuit.
So I get into my checkbook register, another target of my haste and carelessness. Transcribe entries for checks and deposits going back to last April. Now I realize a $300 check I wrote to one of the authors has never cleared. I’m not sure how much I still owe her, since things were a little muzzy before this.
I get in touch with her and inquire about the missing check. She’s never received it, and by the way, the Copyeditor’s Desk owes her $700.
That’s exactly what I figured, but not for the reasons I thought. Oh well.
Now it dawns on me that the missing $300 check was written and mailed on the same day as a check I wrote to another writer, who also reported that it never arrived on his end.
This means the post office has lost two checks.
I drove these checks up to the post office specifically so I could drop them into THEIR box, so they would not be stolen out of my mailbox. Thank you SO much, dear USPS.
Neither check has cleared. So I decide not to shoulder the hefty stop-payment fee to head off any fraud. In fact, if someone succeeds in fraudulently cashing the checks, the credit union will eat it anyway, since they should’ve noticed that Clorox or some such was applied to the “pay to the order of” line. I write a new check to Writer 1 and send out two other checks to a couple of other contributors. These I place in the unsecured mailbox out front, since there clearly is NO EFFING POINT IN MAKING MY WAY THROUGH A MIASMA OF ROAD CONSTRUCTION TO TAKE THESE THINGS DIRECT TO THE POST OFFICE.
It’s now 12:36. I’ve had one banana and a handful of pecans to eat today. Plus three cups of cowboy-strength coffee (it’s ready when a spoon will stand up in pot).
Every single thing I’ve touched or so much as looked at today has devolved into some kind of fuck-up. I am hungry (whaddaya bet the grill is out of propane?) and I want a bourbon and water and that is exactly what I am going to have.
And so…to lunch.